The L.A. Times on Richard Dutcher

Film, philosophy, religion 5 Comments »

This article at the L.A. times came to my attention.Put your hands up..

(No, this film still is from Brigham City.  It’s just a great still of The Sheriff.)

My thoughts:

First, I didn’t find FALLING to be “spiritually disquieting” (or causing unease or anxiety). It opened some very probing questions, which, personally, only led to very assuring answers for me. And the film as a whole moved me.

Second, I don’t buy the line that Mormons are embargoed from seeing R-rated films. Bleh. Can this myth please die?

And thirdly and waxing philosophical, as for this quote of Dutcher wondering “what if it’s not true?” -

That surprises me. I don’t expect religion to leave me doubt-free. It’s clear the Savior had his profound doubts just before enacting the atonement. In my book, doubt and questioning, looking for answers - that’s the soil for faith and belief. It was certainly where Joseph Smith began his journey. Proof isn’t the point. You can no more disprove any point of religion (for example the existence of God) than anyone can prove it.

The results of living your religion are the proof. Meetings, taking the sacrament, service, study, testing the word of God. You try the experiments; and do the results make you unhappy or happy?

If you’re not trying the word of God - if you aren’t going to church, if you isolate yourself from your religious community, for starters - you won’t get results. It’s easy to conjecture there’s no merit to a theory you aren’t testing.

And much of the test is what my service or involvement can contribute. As a Bishop put it to me, he never found any ward (Mormon congregation) he liked until he stopped focusing on what others were (or weren’t) doing for him, and started focusing on what he can give.

I see friends who begin expressing doubt, mere luke-warm feelings, or even disenfranchisement, with the church, the people in their ward and the things they believe and say, and this all happens at the same time they’ve stopped attending church. Guess what? What these misguided people around you need is for you to go to church and present your take on things in a positive, non-threatening way. (And I know these friends have good and enlightening things to say.)

If others may not be seeing the light, how about shedding some of your own? The Mormon church is designed to informally acquaint us with each other’s insights. If there sometimes isn’t much insight, there’s even less if people nonplussed with that fact keep on waiting for the situation to change - without realizing they can change it. Without realizing they can never know how they positively impact others. There are many people in the LDS religious community who have no idea how they’ve positively impacted me.

Did Jesus walk the streets during his ministry visiting the sick, the poor, the social outcasts, the odd ones, the unwanted, all the while asking himself “What am I getting from these weirdos, what’s in this for me?”

Religion may not be thrilling very often, ergo the command to “endure to the end”. I’ve found that any time I give up the endurance test, again, I feel empty.

Never mind I’d tell you like many a Mormon I know it’s all true. Which I do. My doubts are about what this religion can actually do for me (the acknowledged paradox being that I shouldn’t just be in it for me). I’ll always be figuring that out - and those doubts are exactly what lead me to keep trying things out.

More test video - Flash vs. Quicktime at x720- resolutions

Film, Techie Stuff No Comments »

At the same image resolution, Flash’ latest codec (On2 Vp6) at best quality produces ten times smaller file sizes than Quicktime! Sheesh! If the image quality is the same, Flash clearly wins for file size. As for audio, Flash uses an mp3 codec (I don’t know which) and Quicktime won’t - I’m using AAC. I’m guessing Flash uses LAME, and if this codec sound quality test is a good guide, audio quality between them is the same (usually excellent at ~192kbps).

The following clips alternate Quicktime and Flash format at the same resolutions, lower resolution each round. I’d like to know how these load for you and how you think the formats compare in appearance.

The last video in my last post should be the first in this, as I’m comparing it now to the same resolution (720×540) in Flash format. Please watch it again (link) before watching the first video in the following list. Then for each in the list except the last two, I suggest clicking “play in popup window”.

 
icon for podpress  Flash Video: Play Now | Play in Popup | Download

 
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icon for podpress  Flash Video: Play Now | Play in Popup | Download

 
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FLAVOR ARCHAEOLOGY

Film, Scripts, Writing No Comments »

Here is a script for something I’m going to shoot soon - my son will star.

Four Quicktime HD export test clips

Film, Techie Stuff 1 Comment »

The end of this entry has buttons and links to play any of four different test clips (each of a bird and/or my son “Mago”).  I’d use the “play in popup” link first, starting with the last (the smallest).

The first clip is 1920 horizontal lines by 1080 vertical lines in the Sorensen 3 codec and some blah (I’m guessing) audio codec (Sony Vegas Pro lets me export to Quicktime, but not with AAC. Why?).

The second clip is 1920 x 1080 by Quicktime Pro (from an uncompressed .avi I exported from Vegas) with the H.264 codec (It seems that’s Apple’s newest video codec? - which I’m only guessing gets better mileage than Sorensen 3?) and with AAC audio at 192 Khz.

Both those files are blasted huge (45 to 55MB for a few seconds!?), so I’m realizing I just gotta sacrifice some video and audio quality for more compression..

The third clip uses Sorensen 3 and some crummy audio at 1280 x 720 resolution.

The fourth uses H.264 and AAC (like the second) and is 720 x 540.

Again, click “play in popup” to play any of these - I suggest the last one first - I wonder if the others will even load without a lot of patience..

For anyone curious I’ve started putting up notes on video encoding/distribution in my wiki (more - maybe a lot more - could aggregate there over time - I’ll see. The page title is far broader than the video notes there now).

 
icon for podpress  Podcast Video: Play Now | Play in Popup | Download

 
icon for podpress  Podcast Video: Play Now | Play in Popup | Download

 
icon for podpress  Podcast Video: Play Now | Play in Popup | Download

 
icon for podpress  Podcast Video: Play Now | Play in Popup | Download

Digital Cinema Dreams

Film, Goings-on, Good stuff, Star Wars, Techie Stuff No Comments »

[Update Jun 1st: there were several inaccuracies in this article now corrected, and I’ve added some too - all in bold.]

I just ordered a Canon VIXIA HD30 camcorder - this is a higher end HD consumer beast. I’m excited about it. There are many things I’ll do with it.

I’ve been asking around and doing a lot of research about HD and particularly how it may transfer to film and/or project on a big screen, and I want to say I notice a fairly sharp divide between people who insist video should never imitate or copy to film vs. people who say go for it. What’s odd to me is that folks against it seem to usually describe that as the more realistic or practical approach, or that copying video to film is only “dreaming.”

Well, gee, imagine any film maker dreaming.

I’m in no mood after writing my thesis :) to cite the sources of facts I present and form my conclusions on. Suffice it to say I believe you could verify these facts.

My take is that in truth it is more practical to go digital if you can. We are in a digital cinema revolution, and physical film stock may always have its place, but the reality is that the blockades to shooting digital film which audiences don’t perceive as different after transfer to film - never mind the options to just distribute digitally increasing every year! - blockades to that quality break down steadily every year.

[Why am I speculating? With a ruler I drew a grid on a post-it note at the resolution of HD - 3 pixels an inch assuming a 30 foot screen - and filled it with alternating black-and-white squares, and looked at it from 40 feet back. There would really need to do be some image processing and projection magic with the way pixels transition into each other to make it look good. Fairly obvious “I am pixels” look at that resolution. But I need to know. I’m looking for sources that give a lot more detail on this, and I’ve also simply got to do real application visual tests on all this theory myself, somehow.]

About digital film projection, I’m going to speculate now. I don’t know how this actually plays out, this is theory, and I’d love to know of the real-world tests that certainly are playing out on these questions. But my speculation is that depending, digitally projected high-definition video could look not only anywhere from sufficiently as good as film to just as good, but better. Consider resolution available from the Red One. Here’s a picture of a 2006 model with some kind of super-exo-death-armature-skeleton-frame thing around it.

………………..

[This section had inaccuracies about the resolution of the Red One when I first wrote it - it’s fixed now.]

It shoots 2k (just over 1080 vertical pixels). That’s a bit more resolution than George Lucas thought was good enough (snobs have turned against him after the Star Wars prequels - yes, I will make that abusive statement, anyone who derides Lucas over his Star Wars prequels is a snob - I have qualms with the stories and writing on Star Wars Episodes I, II, sorta III and totally VI, but IV and V still rock the world, and I give Lucas full faith as a technological pioneer: arguably, he has single-handedly initiated the special effects revolution, and then the digital cinema revolution. Whether he simply vanishes like a good Jedi or makes it to heaven or not, before and if you pass the pearly gates, you’ll at least have to give him a hearty “thank you”.) Never mind that the Red One looks like a Star Wars Tie Fighter or something, and has a name reminiscent of Luke Skywalker flying the Death Star trenches - they have their market down - but it can record 1152 vertical pixels (or rows) at 120 frames a second, so that if projected at the same rate, it’s showing images exactly five times the frequency of standard film. I’ve read of tests going back to the 1970s demonstrating that people see a difference between 24 frames a second vs. 60 frames a second, and 120 is twice the upper range of those tests. I’d think that would probably look brilliant. Or you can do about a five hundred more rows of pixels at 60 frames a second, or again about five hundred more than that (or 2048 rows) at 30 frames a second - still a better frame rate than film. And digital projectors that do this are steadily spreading to theaters worldwide - my dear local Wynnsong has some now :)

Interesting math: that highest resolution mentioned (4x) has 4,096 vertical pixels, and if you divide that into 30 feet (for the typical height of a theater screen, and that link passes those paramaters into google calculator), and express that in inches, it’s about 8 pixels an inch. The math for x1080 resolution gives 3.333… pixels an inch. How does that look when you’re sitting 30 or 40 feet back (or further) from the screen? Losing detail and size for distance, they’d likely appear a lot finer and closer together I’d think. How does the density of pixels multiply across the visual range with distance? [When I first posted this I wondered if ten inches would shrink to 1, visually, so that what used to look like 3 pixels in an inch would be 30, and whether that would be enough - but no, 300 pixels an inch (or 100 times as many as 3 per inch) would correlate with the usual baseline for digital images.] That would seem like a reasonable baseline they’d go for in apparent density for “digital film”. If the visual density multiplies by about a hundred - would it? - I haven’t done that math or looked it up - but if that were the case then x2 resolution might be effectively 600 dots per inch, and x4 resolution maybe 1200 dots per inch?]

I’ve read of cinema house worries over the fickle and perhaps difficult to manage aspects of digital media, and there may be a lot of kinks and things to figure out with digital cinema along the way - but what do we expect? - it’s a brand new medium. Besides, those kinks will probably be worked out fairly fast. It took a good 60 or 70 years or so to figure out how best to technically work film, but vast improvements with digital film are advancing over stages of years, not decades! Ten years ago nobody would have thought you could buy a camera that shot at 1080 vertical pixels for under a thousand dollars. Three years ago the same camera would have cost several thousand dollars. If the trend continues the same quality camera will be available in a few years for half the price, and a camera twice as good will be available at the same price. Expanding that trend to decades it’s easy that around, say, 2020, teenagers from middle to low income families could be armed with camcorders that shoot at a resolution you can blow up to an IMAX screen - and by then there may be some bid-to-rent digital distribution network in place so that they can show their independent film at a local theatre for costs low enough that independent filmmakers of today might gasp. You can distribute for what cost? That low?

That all sounds like a dream, and it could be, but again, given the way these specific technologies have advanced in the past decade it’s easy they may advance to that stage in another decade. In my book digital cinema has to be the way motion pictures go. (I think high definition and beyond will also radically transform home entertainment.) We’ll still use film a lot, I think, especially for long-term storage because digital storage is notoriously destructible and fickle.

So cool - MATRIX SCREENSAVER

Film, Good stuff, art 1 Comment »

The opening sequence to THE MATRIX is among the most beautiful art ever done with film and computers. I just found a Windows “screensaver” (imagery that appears on your computer monitor if you leave your machine idle for so many minutes) that emulates the very thing very well - on your computer.

I first tried the official screensaver released by Warner Bros. back in 1999 (Okay, has it been that long or longer since THE MATRIX? - I’m getting old..), and after that I tried three others - this one is far and away the best. It can emulate the opening sequence to THE MATRIX tracing a program to your phone number, calling on your name .. kinda eerie. Exceedingly cool. Change the speed, speed variation, font animation, line density, and color of the scrolling code also.

Caveat: almost predictably, you have to be a geek to install this thing. 1. It runs on windows (hmmm.. the platform on which most internetworked clients in the world are run?) 2. You have to know where your Windows install places the .scr, or screensaver files, and copy the file to that directory. On my Windows XP install, that is C:\WINDOWS\SYSTEM32 - and then 3. You have to know where to change your screensaver.

Review: Richard Dutcher’s FALLING

Film, Good stuff, Hackles, art, philosophy, religion 2 Comments »

I’ve been holding off recommending this film, because ai-ai-ai, will it make a Mormon audience composed of your typical Mormon culture uncomfortable. It is ridiculous how fully Dutcher has taken on the role of The Artist Who Challenges You. If Dutcher is going around touting in his advertisements that the thing is R-rated - one of the hot-button topics in Mormon culture - I cannot see otherwise but that he has taken it upon himself to challenge culture. If that gives you brownie points among crowds that think that’s the mission of an artist (*ahem*AML-list*hem), okay. But I don’t think there’s any chart in heaven detailing how much any artist challenged culture. It’s not about that.

According to Michael Medved - who has given Dutcher some of his best reviews! - the artist as cultural or religious challenger is a mythical role that has emerged only in this last century. Medved argues that most of the artists who created our “classics” through the centuries found plenty to do - under every kind of label or adjective you could conjure: disturbed, glorious, funny, tragic - whatever- without heckling their host culture, as so many artists in our day have been taught to believe they should. It is a point given in Dutcher’s biography at his own web page that one of his teachers while in film school at BYU prophesied that the first great Mormon writer will be excommunicated. Richard, that teacher was full of crap! Without a mass of knowledge to back up my agreement with Medved, I only say that Medved’s take on artists and culture sounds to me a whole lot better than advertising your film as “The first R-Rated Mormon film!” Why don’t we just change the billboard to say “This film will shock and offend you!” What of the dopes in the narrative of this very film who claim the only way an artist will get ahead is by shocking and offending? We’re supposed to think those guys are dopes, right? They’re part of the culture that led to the lead character’s fall. So let’s not listen to them.

Now I know I’ve gone and abrasively criticized marketing. Sometime last year I abrasively criticized a marketing effort coming from Dutcher’s Main Street Movie Co. and shortly thereafter found a comment at my film blog from Dutcher’s marketing guy, abrasively criticizing my (retrospectively) amateurish concept trailer. Tit-for-tat cannon blasts among the artists in Zion. I don’t think it’s easy for artists to separate the line of personal criticism from artistic criticism. And too often we merge them - but that’s an essay for another day.

I believe Dutcher could have told the exact same story of FALLING with just slightly different directing decisions that wouldn’t ensure he turns a lot of his audience away. And his marketing of this film is way off-base. (I know, I hear the cannons blasting still.) If you don’t care about ratings (as I believe Dutcher claims not to), you don’t advertise them. If many Mormons think it wrong to ever see an R-rated film (and that thinking is in error, in my opinion), period, that’s fine for them - it is their right to risk missing out, and frankly, too many who argue against the point would seek to deny Mormons so inclined of that right, or deny them their freedom of conscience to avoid whatever they want - but the inevitable message behind “The first R-rated Mormon film!” is ironically as narrow in a different way. It actually seeks to drive the question of the appropriate to the utmost limits of tolerance - and I would argue that very approach will only produce intolerance - it isn’t going to make anyone think. Nobody thinks when they feel threatened. All they think about is either raising their fists to pummel the hell out of you or getting the hell away from the situation (Dutcher has experienced far more than his share of both, on emotional terms). Fight or Flight. It reduces us to cavemen. Where’s the love in that? Philosophical battles are one thing, but you’ve gotta know that even though there may not be a rational basis for Mormons to do so, they’re simply going to read it as an attack on their religion.

Art isn’t a culture or religion test. Life is a culture and religion test - the way we live. Art is a huge part of life (and for artists, it is literally the subsistence of their life - how they get by) - but as the Indigo Girls penned, “..there’s just no medium for life”. Life is life, art is story (where this film is concerned). And this story should be advertised for what it is - a very powerful morality tale - not for what it isn’t (G-rated).

The unfortunate irony of that advertising is that the film is, in my opinion, powerfully Mormon, but while the advertising raises a question entirely irrelevant to the film, it only invites those whose minds are closed to the question - and I have tried opening many minds to the question, and the steel trap set on that question does not respond to crow bars - it only invites them to keep the trap shut, indeed the trap may only close tighter.

I had to decide whether I think Dutcher himself or his actors went against good principle in their performances. I’ve decided I don’t think they did. The directing decisions over that question are so distracting it could not only tear down the proscenium for many (it nearly did for me, but I’d gone into the film with a lot of forethought and preparation) - it could make them want to burn down the theater. Nevertheless, to those willing to explore them, the questions are so gripping it may not matter. The context and the story, the presentation, the direction, what happens - it all very clearly paints the disturbances the film explores as just that: disturbances which are not wanted in a good life. The obvious implication is that we like good, not evil. Hallejuhah. One more film striking against evil.

This also may not be a film for the squeamish.

This film wallops the bloodthirsty with divine guilt.

Last of all, this film probes deeper into the mystery of the Atonement than any work of art I have encountered. If the story it presents is deeply disturbed, the power is in the questions the story poses of whether those disturbances could be overcome. The ending presents situations on questions of innocence and very powerful symbolic reversals - leading to Christ - which I found deeply affecting.

HAPPY VALLEY (Documentary)

Awful Stuff, Film, Good stuff, religion 2 Comments »

I strongly recommend seeing this film (and here is the official web site for it). I saw it at the LDS film festival last night. It is playing again in the Grand Theater at the Scera Center in Orem (Utah), on Saturday night at 9:45 (why they don’t have a better show time for this singularly great film I don’t know).

It is a documentary that follows the lives of several drug addicts in Utah Valley (a.k.a. “Happy Valley”) seeking recovery, and some families who have lost children to drug overdoses. It explores the harrowing reality of the prevalence of drug abuse in Utah Valley.

What transpires in the life of one family in the documentary, similarly to events reported in NEW YORK DOLL (which is also strongly recommended), is so breathtakingly perfect (and I will get your expectations up) that if it was a narrative film it would be dismissed by America’s deeply cynical culture as contrived and unrealistic. As Susan Jeffers said, “We have been taught to believe that negative equals realistic and positive equals unrealistic.” May this film give the world pause to reconsider that fallacy.

This film has sold out screenings everywhere it shows, and proceeds from the film go to aid addicts seeking rehabilitation, which can be very expensive for drug addiction. Those two marvelous points aside, the very potent spiritual substance communicated by the film is, in my opinion, a serious blow against evil.

I’m wondering about the environment the film seems to invite of broadcasted honesty. Before the film, two completely unaqcuainted men seated behind me audibly shared how sober they were, who in their family was hooked, and who died - now on that last, I wouldn’t hesitate to share. Death by overdose is a public warning and anything less dishonors the death. But if these men felt safe with each other, should they broadcast their secrets audibly through a theatre? If the full disclosure of the interviewees in the film inspires, the whole audience would do this. Let’s be wise. If a few “fall guys” wake the rest of us up, let’s keep our secrets in helpful circles and not parade them.

So, you fellows behind me broadcasting your addictions - as interesting as it makes you, if I would favorably compare you to any celebrity or artist, I’m not going to pay you great notice until you’re dead.

I didn’t ask the film maker afterward, but wanted to ask what his plans are for exposing the many other kinds of addiction that run rampantly through Utah Valley, some of which find love and acceptance easier to come by, and some of which don’t.

One thing in the film disturbed me a lot. Prescription pill abuse is twice as common in Utah Valley as the national average, and is often deadlier than illegal drugs. And a Police Officer interviewed in the film reported a large group of teenagers he had been with, apparently all of them members of the Church of Jesus Christ of Latter-Day-Saints (LDS or “Mormon”), who in discussing such use (abuse) among themselves, said “It’s not against the Word of Wisdom. It’s just a pill. It’s nothing.” (For clarification, the Word of Wisdom is an LDS doctrine regarding careful use of good foods and avoidance of bad foods and abusive substances.) Okay, kids. A careful (and recommended!) read of the Bible renders a picture of Jesus which baffled and enraged the powers of his day by using his head; by dodging rules where they could not apply, in favor of principle. We need rules, but the Lord broadly spoke of all situations where we need to use our heads when He stated in Doctrine and Covenants that “..it is not meet that I should command in all things; for he that is compelled in all things, the same is a slothful and not a wise servant; wherefore he receiveth no reward.” Use your heads, kids. Do you need the Lord or anyone else to tell you this crap is ruining your body, your self-control, your spirituality, and your life, and that that is bad? You’re smarter than that.

I like to think that awareness of addiction among Mormons is spreading. A few weeks ago at my chapel, they had a joint men’s/women’s meeting with someone from LDS Social Services about the topic, and what leaders are doing and can do about it. Only one thing disappointed me: in introduction he said that while he is sure many here know someone who needs this information, nobody here is in these kinds of situations. No, sir. First, you can’t know that, and second it may be falsely flattering, and a disservice to truth and culture. A strongly repeated point in the documentary HAPPY VALLEY is the entrenched denial aspect of the valley’s culture.

The safest guess is that every ward in every stake in the church has addicts, many of whom have not yet even recognized or confessed to themselves or anyone that they are out of control, and if or when sad circumstance arrives them at that point of total desperation, they may have no idea how to get help or that it is even available. Hopefully on the point that help is available they would be comforted, if our pretension that people in their situation are very rare doesn’t open them to Satan’s lie that their case is so rare, and so extreme, and so terrible, and that they are so far down the scale of hopeless that there is no hope. Please assume that wherever you go, there are people in the congregation who need help.

Richard Dutcher’s FALLING

Film, philosophy, religion 1 Comment »

Dear Richard,

I will give this film a shot. It may surprise you to hear me speaking of going to this film as taking a risk, and you deserve the respect of hearing why I do.

show

The Wilhelm Scream -> The Dean Scream? (I have a Scream!)

Film, Good stuff, Star Wars, Techie Stuff, blather No Comments »

[UPDATE: the original of this post suggested using the “Dean Scream” in entertainment projects, and failed also to credit and link to a fellow from whose page I obtained a copy of the “Wilhelm Scream”. I’ve learned that the “Dean Scream” most probably is not necessarily in the clear for use in entertainment projects - which is too bad :) ]

(Close your eyes when it turns black and white with Uma Thurman slashing a sword, and when someone pulls out a knife. Unless you aren’t squeamish or don’t hate gratuitous violence.)

This is another of at least a few videos posted at YouTube showcasing the myriad uses in films of a stock sound originating at Warner Bros. in 1951, eventually dubbed by Ben Burtt the “Wilhelm Scream”.

Yes, it is actually used in all those shows and films. This isn’t some weird dub-over of them (I was really surprised and amused to learn it was used in THE LORD OF THE RINGS films two and three).

I found a wave file of the “classic” Wilhelm Scream apparently directly copied from the original take :) Here it is. Click. Click. Click.

(That’s an mp3 burn of the sound)

You can also hear the sound at sound designer Steve Lee’s web site, hollywoodlostandfound.net (this is where I grabbed the sound from), and read a detailed history of it there.

At that page and in an interview with a director (in addition to Steve Lee) in this YouTube video, I’ve learned that the man who popularized the sound, Designer Ben Burtt, will no longer be using the sound (he used it in all six Star Wars films). My blunt take: the public has caught on to the “secret” of its use - previously, mostly an in-joke between many sound designers - so now, it’s, like, popular. And the first rule of hard-core Nerddom is that if it’s popular, it isn’t “cool” anymore.

I think that’s a silly decision on Ben Burtt’s part (I only speculate, perhaps unfairly, on his reasons).

I emailed Steve Lee about the legality of using the Wilhelm Scream - in a nutshell no one knows for sure who the original artist is, and while technically it is owned by Warner Bros., it has been used very abundantly (by people from all kinds of other studios and networks, etc.), and no known squabbles or legal issues have been raised over it.

Lee also added:

By the way, Ben is indeed working on “Indy 4″ and I
would be very surprised if there isn’t a Wilhelm in it.

An interesting aside - I’ve noticed a certain recording of a hawk cry appears almost pedantically in many desert and wilderness scenes in films, and it turns out it is in fact an often used recording - it’s mentioned in this Wikipedia page as “..a certain recording of the cry of the Red-tailed Hawk.”

A tradition of people who know the in-joke of the Wilhelm Scream is to shout “Wilhelm!” whenever they hear the sound effect in a movie. But if it isn’t cool to use the Wilhelm Scream anymore, how about something else?

This scream of Howard Dean, the “Dean Scream”, famously baffled and alienated the public to Howard Dean (arguably in part because the press replayed the “Scream” a lot - which.. I dunno.. it’s pretty funny and may deserve press).

I pulled that flash video out of YouTube, dumped its audio to a .wav file, made a sample of the audience cheering noise in the background of it, and then used that noise in a noise removal tool to isolate a very good approximation of Dean’s Scream without the audience cheering in the background.

(There are technical reasons this sound may not be “perfect”, but I doubt I’d hear much or any difference without those factors - also that’s an mp3 burn of the .wav file).

I wish, oh how I wish, that the “Dean Scream” was legally a for-sure “in the clear” sound to use in any entertainment project. For informational / educational / news use (such as this post), it’s in the clear under “Fair Use” - but it isn’t necessarily in the clear for use in entertainment media.

If another actor imitated the Dean Scream however, and released it to the Public Domain - hey, we could have us the basis of something new.

Wait a bit - I think I’ll do just that. :)

Moving McAllister

Film No Comments »

This film is in theaters tomorrow.  I’ve seen clips and scenes from this - at the LDS Film Festival (define LDS film?) and from a film production class I took from one of the film’s producers.  The clips made me laugh out loud.

Tales from Earthsea / Gedo Senki DVD

Books, Film, art No Comments »

While looking for images for my computer desktop from My Neighbor Totoro, I ran across this description page of an Anime based on short stories Ursula K. Leguin set in Earthsea.  I also found this YouTube post of a trailer for it (embedded below) - this looks great (especially the art).  You can find a UK trailer on YouTube that has a more dramatic punch but unbearable, typically pious unctuous "I am the voice of Wonder" American English announcing.

If my local libraries or video rental stores don't have this in, I think I'll just get it - lower prices for it found by froogle are less than or not much more than rental (the first one it finds has a description of it from an entirely different film, though - what the.. !?).

Slams on THE NATIVITY

Film, Good stuff, Hackles, religion Comments Off

So, this movie looks good enough to support with my dollars - and yes, I am saying that I want to support it specifically for its content and, like I said, because it looks artful enough to support.

http://www.thenativitystory.com/

[Update: I provide my response to this film after going to see it, following these comments.  Also, the film critic Eric D. Snider responded to these comments which I posted in a forum, and I think his comments are correct, and I also quote them after my own additional comments.] 

Read More »

“Mormon Evangelists” post at Rhapsidiom

Acting, Film, Good stuff, Hackles, Writing, art, blather, philosophy, politics, religion Comments Off

I think Rhapsidiom’s comments in his post here are right on target.  We exchange comments after his post.

Ridiculous rumors about Richard Dutcher

Film, Good stuff, Hackles, philosophy, religion 6 Comments »

[I have posted a highly abridged version of this in a Reader Document, which makes all the important points I have to make.]

So, these rumors ([-1-] and this other one [-2-]) have had me in agony. What if Dutcher has turned EVIL? After a few days I’ve started listening to my gut feeling that the rumors really sound very ridiculous, and not in line with the Dutcher I’ve met and also know through his films.

Today I called up Main Street Movie Co. and spoke with Dutcher’s assistant. I introduced myself and asked if the rumors going around about Dutcher’s next film are overblown and ridiculous. She expressed puzzlement and I explained where I’d heard them, and then I out and asked: “Did Dutcher hold a nude audition yesterday?” She replied “Uh, no..” - this was somewhat emphatic, in that tone that says, “Gee, that’s really out there” or “Where did you hear that one?” I laughed and said “Okay then”, then asked, “Is his next film a ‘nudie slasher flick?’” Again she replied no, and seemed very surprised at the idea.

So hearing it from Dutcher’s assistant who would know, the questions are so absurd that they halted and flabbergasted her. They should be blown off as mindless, thoughtless, careless rumors. And look at the format of the source of the rumor - “My brother in law” - yeah, right, and my brother-in-law is MARVIN PAYNE. Um.. so anyway (Marvin actually is, and lately this is reason for me to feel even more regal, or something - visit his web site!), the format of the rumor is second-hand and the “source” doesn’t site his source. And even if he did, in contrast to one who would know, he’s either making it all up or distorting things so extremely as to be totally disreputable (no, the source of the rumor, not Marvin Payne!) Which I knew before I called Dutcher’s production company, and didn’t really need to have that confirmed, though it was nice to have it confirmed.

Maybe Dutcher lost his cool criticizing the LDS film genre as a whole recently (I think his criticisms are appropriate, and only philosophical, not personal), but the blathering nonsense that has been increasingly brought against him personally has been excessively uncool, and that these rumors can now be seriously entertained shows just that. By their fruit ye shall know them. Please don’t think I mean to personally judge or condemn anyone. It’s only about what people say - rubbish! People say rubbish! And it has been getting worse and now it has grown to this!

No, I trust Dutcher to continue to create very artful, skillful, morally responsible films.

I know that Dutcher’s next film FALLING is either in post or finished, and the secretary at Main Street Movie Co. said he’s starting production on a new one (that’s what these fabricated rumors are about). I don’t know the title of this new production, and don’t care - I’ll just wait.

[Update 09/28:]

The one who first posted on the web what I am reacting to contacted me and informed me that his brother-in-law is a real person. Sorry - I didn’t mean to imply he’s not real. Just that he’s spouting rubbish! :) Frankly.

I made a very strange (and hasty) error, but the gist of this holds true. I mistook the receptionist at Main Street Movie Co. for Dutcher’s assistant of the same first name! The receptionist emailed and informed me of this. She invited me to call back and talk to Dutcher’s actual assistant. I called back and the assistant wasn’t there (Dutcher is unavailable as he is very busy prepping his new production), but I got hold of Chris Macey, the Public Relations guy, who knows what’s going on with Dutcher’s projects.

Macey confirmed that these rumors are as ridiculous as I’ve thought they are; totally made up. Good. Like I thought.

I asked him if he could disclose the nature of the now developing project - this will be Dutcher’s film after FALLING comes out, which Dutcher described to me at the LDS Film Festival as “..an artsy suspense film”. He said the next project is a “supernatural thriller”. Macey also said that when it all comes down to it we can expect it to have a P-13 rating. I don’t even care about ratings, and he said Dutcher doesn’t pay attention to them, noted that initially STATES OF GRACE had an R-rating and a violent scene was toned back, and he cited this essay by Orson Scott Card as an excellent article on the topic of ratings. I agree. I’ve linked to that one many times from here.

I asked him if I could ask a loaded question that people actually wonder. I hate this. This is vile reporting. I wouldn’t even wonder about this but for the pressing and depressing rumors. Macey said he thought I was out to be a Mormon National Enquirer. Uugh. No. By the way, I want to mention that the rumors against Dutcher that went through a BYU film class cannot in any way represent any institutional standing about Dutcher. And note that Eric Sameulsen, who recently defended Dutcher in writing (and hit just the right notes I thought) is a playwriting professor at BYU (I thought he now headed the Drama Department?) BYU is full of people with differing opinions just like any institution. Another note (sorry to drag), I took down a joke in this entry which might have come accross wrong; you never now.

So this is the loaded question which it is shaming even to ask (because it has suspicion behind it): Does Dutcher intend to continue holding his films to his LDS audience’s standards? Macey’s reply was that when God’s Army came out, people were calling for Dutcher’s excommunication over the shot of a missionary from the side on a toilet (me: that showed, like, almost nothing and was brief). And that when States of Grace came out people were saying he’d strayed, left the Church. To contemplate that, I say within myself: Wow. How off the target is that? Watch States of Grace and then argue that to me. So that was that, no more questions for him.

Back to my opinions. So people were saying that then, people are saying that now. That implies that people who now ask the question for any reason are really off target. Okay, though I think wondering about the morals of artists is important in a culture desperate for heroes.

(Many of us only read the Book of Mormon for the first time in many years last year, after all)

Looking back I can see the things, some of them absurd, that I think lead to such rumors. I can understand questions when Dutcher sits on a panel at Sunstone with two people who have openly left the Church, but those questions surmise. What if he is simply exploring points of view he might not agree with, for the sake of understanding people? And you know what? Ultimately I don’t give a hoot. I’ll entertain Dutcher’s point of view even if I wouldn’t agree with it, but meanwhile everything this man makes and says sticks with my own LDS core.

I’ve been meaning to respond to Heimerdinger’s article on Dutcher. At first I blew it off as harmless. Then I went back and thought on words that stuck. No, that is a really innapropriate essay. Here’s why.

Heimerdinger says that Dutcher is about “spurning”. That’s too far. I can almost hear the words “challenges”, “ruins”, “destroys” etc. or even the adjective “sinful”; which is itself directly implied in his utterance of “inherently offensive.” So he’s taking a moral stance against Dutcher. Look at this. This makes Heimerdinger a saint and Dutcher a sinner. And the closing lines about “celebrating doctrine” dig in deeper, implying, along with “spurning”, that Dutcher either doesn’t explore religious ideas at all or does sacrelige to them. And Heimerdinger says all this without having even seen STATES OF GRACE. Because, you know, it’s just so dang evil you should dismiss it on moral ground without second notice. Which is all encompassed in the opening of his critique of a film he hasn’t seen: “Like most Latter-day Saints, I haven’t seen this film.” That directly infers that the moral, mainstream, LDS thing to do is to avoid Dutcher’s film. It says that to watch Dutcher’s film is an immoral act. That is low, low slander - and utterly uninformed. Not only has he not watched the film, he hasn’t even mentioned anything he has heard about its contents. At. All.

There is nothing of the sort in the film on which his arguments can be founded. There is everything to the contrary.

If we can surmise that Dutcher is immoral without even batting an eyelash, without even mentioning any questions or principles at stake, the worse rumors are easy. More disturbing to me is that these rumors have surfaced as accepted fact in fairly mainstream internet forums. Utter rubbish about Richard Dutcher has become commonplace, not fringe.

Not on my watch.

Mark me a fan. I think STATES OF GRACE has done more to show God’s individual influence on people than any film in the genre yet made. Macey says their production company recieves hundreds of praising emails daily. In my experience most anyone who sees this latest of Dutcher’s has such sentiments. Watch the film. With these official dismissals of ungodly rumors, and looking at Dutcher’s previous work, I repeat that I continue to trust him to be morally responsible with his films.

[Update 10/01:]

I had an email debate with the fellow who posted the rumor. He holds that his twice-removed source at an entertainment company over which Dutcher is not President (which source he will not disclose) could be just as reliable as the source I directly and openly contacted: the Public Relations guy at the company where Dutcher is President. I commented that he must think the folks at Main Street Movie company just must be lying. He didn’t appreciate that. Okay, maybe it isn’t fair to suggest that, but it is fair to say it’s one of two logical choices. Either 1) Dutcher’s PR guy is outright lying or 2) He’s not really informed about what is going on even though his job is Public Relations for Richard Dutcher and he works day in and day out in the same offices as Dutcher. Look at it logically. I invited him to call up Main Street and ask the PR guy if he knows what’s going on. He declined. Naturally. If there is some logical explanation as to why my info isn’t right, fire away with that explanation (but he has, and he offers nothing logical). I don’t doubt he actually heard what he did, and that the guy that guy heard it from did too, and that person also. But I know he’s got wrong information. I’ve got the facts direct from the offices most “in the know”; Dutcher’s offices.

I got a one-line email from Dutcher’s PR guy:

SAG rules prohibit any type of nude audition. You should feel “silly” and “ashamed” for even asking. Chris

Ha ha! He’s making fun of my fretting questions. He’s also saying the concern is so unnecessary the questions don’t even need to be asked. The logic of the whole situation is against it.

Marketing newsletters from Dutcher’s company say that the first 22 minutes of STATES OF GRACE will be made available online, and that it will be selling at Deseret Book. Halleluhah!

Also, he told me official statements about FALLING and the next film would soon appear at richarddutcher.com, and those are up now. Confirmed title: EVIL ANGEL.

However I originally erred in reporting the word “spiritual” in the discription. But if it’s about a dark angel, and Dutcher is writing and directiong, there could easily be a spiritual aspect.

The reason I confused that term is because this IMDB bio on Dutcher contains the term “supernatural/spritual thriller” for a future project entitled RESURRECTION. Same thing renamed? Who knows.

I’ve got to say the whole situation disheartens me; not because I believe Dutcher’s films will be, like, evil, but because I fear that too many Mormons who don’t already think they are will. I like Gwen’s words in the statement about a variety of interests. Also, read the Bible. It is chock full of glory and horror. It’s only a matter of how you approach the material.

But I like best what Eric Snider said at the AML-list. He mocks all of these worries that a lot of people have:

I thought we’d reached the pinnacle when people were despairing over movies they haven’t seen. Now we’re wringing our hands over movies that haven’t even been MADE yet?!

[I suggest you skip the next paragraph if you are very young and/or you are sick of content debates.]

With “movies they haven’t seen”, he’s referring to people avoiding films based on content descriptions. There have been raucus debates about that this year in Utah-related message boards. Personally, I will sometimes avoid a film for just those reasons. My personal thinking on it (re the comments in this post after my last update): If I know a film too closely portrays Mommy and Daddy, or people who ought to be mommy and daddy, making babies (or doing things that ordinarily would make babies but with no such intent), I will avoid it (I know a content descriptor that would save some people a lot of time searching: “R - RESTRICTED - baby making”). It induces a wish to make babies with actresses to whom I am not wed (and not a polygamist either, since we’re talking in the plural). No, thank you. To people who aren’t bothered by it I suggest some redifining, but I also respect their view.

Anyway, comparing Dutcher’s work to anything even near anything of the sort is laughable. His work has very notably taken exactly the opposite approach (and I am NOT saying that Richard Dutcher doesn’t like babies). Nothing of the sort as would make you sympathetic to, like, evil.

Double anyway, on Snider’s main point, I agree. However, hand-wringing is itself strangely compelling..

I’m turning this one in.